The Future Is On The Table

a river of art projects

Rajni Shah
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Rajni Shah: Across the Waters, a gift exchange

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At 3:01am on January 16, 2009, Phinias Chirubvu - The Big Five said…
Hi Rajni, thank you very much for the compliments, meeting you and other artists in Charleston was a big thing for me ,i learnt a lot, i hope to meet again. Pass my greetings to Theron.

Power to the Arts
Phinias
At 3:29pm on December 12, 2008, olivia rojas said…
Hello Rajni, i just realized that i haven't respond to your message; thank you for your greeting! I have been busy in my full time job, producing a multidisciplinary installation about breast cancer and the politics of cancer. Check the web site! www.oliviarojas.net
Saludos,
olivia
At 7:08pm on December 7, 2008, Brent Lacy said…
Rajni. Its good to hear from you. I dont often get back to this website either. Since TFIOTT has come to an end, I dont really rely on this site to keep me informed. I get the feeling that I will periodically check back on here from time to time and eventually it will be 10 years or so down the road and I will pop back on here and go "oh shit....I remember these guys." But I digress. Im glad you are getting to keep in touch with JM. He's been gone for quite a while from the cafe. I hope he is enjoying his travels. If you remember, please tell him I said Hi. If not, just as well ; ) How are things on your side of the pond? Do you have any new projects you are working on? Things are more or less going the same in Charleston (at least as far as I can tell). Anyway, I dont really have anything profound to tell you, just a whole lot about nothing, as per usual =) Take care, hope to hear from you soon.
At 2:50am on November 8, 2008, Phinias Chirubvu - The Big Five said…
Hi Rajni, i hope you are doing okay ,here i am always trying my best, but there nothing new though , yesterday i had a workshop with a lady from Netherlands. Till next take care and stay in touch.
At 2:29am on October 21, 2008, Delphine Ziegler - Table of Ice / Alluvions Glacées said…
Hello Rajni!
My mother just passed away and we are all under shock... My sorrow is deep, so close I have always been to her, during my whole life. This is the hard present time.
Rewinding back a little :
Coming back to France was not easy... I was no longer used to family life and to the school schedules... But is was great to be together again!
Images from Charleston keep fllooding in my mind and I can say that the impact of the experience as a whole ihas been very strong and includes much more than the show itself. I like the term "grandeur" to describe such a project because it encompasses such a large range of experiences with people of so varied backgrounds... beyond the material form of our works.
I am now working of a new proposal involving the mountain I studied in the past in China and its archaeological vestiges. Aurore would come with me to make a dance/film project dealing with the extraordinary geographical configuration of this site... histoire à suivre!
I hope you are well back into your londonian artist life and develop further gift-exchange ideas, nourished by all the preceding ones!
Je t'embrasse ainsi que Theron, who, I hope, is enjoying his new teaching job!
Delphine
At 3:35pm on September 25, 2008, Ruby Thorkelson said…
that was phinias, communicating through me
At 3:18pm on September 25, 2008, Ruby Thorkelson said…
Hi Rajni

I am still in charleston, i am leaving sunday .I will definitely load the the pictures on the web before i left. Till next time, take care
At 2:26am on September 24, 2008, aurore gruel said…
Ah, il a déjà envoyé sans que je finisse ce message!
donc à présent se mettre sur un travail de bureau et reprendre les trainings...revoir aussi pas mal de monde après cette traversée de l'atlantique et ce bain d'échanges. Le mot EXIL est venu suite à ce voyage. J'espère que ton interview se passera bien et pense à respirer. Je t'embrasse aurore
At 2:25am on September 24, 2008, aurore gruel said…
bonjour Rajni,
je suis bien revenue à Nancy où le froid fut vif, ma valise a joué les prolongations en revenant deux jours plus tard, histoire que je reste davantage en voyage. De toute façon cela a tout de suite enchaîné pour moi avec répétitions et représentation samedi. Ce fut plutôt étonnant de retrouver la pièce "une chambre pour deux" après deux mois sans l'avoir éprouvé, étonnement de la manière dont cela avait mûri, étonnée aussi par les spirales du corps. A présent je suis davantage sur un tra
At 2:33pm on September 20, 2008, Latonnya Wallace said…
Hey Rajni, hope you and thereon are well.
it is finally coolin down here.
It has been nice to get back to some what normal, but I miss everyone. I;m Writinting it out now so i'll send you a rough. i'm at gg;s now still dion a littlt work. This project was great to work on. It was like family came to visit adn got some work done in the home of art.are you getting some rest or is it back to the grind for you. I really enjoy your work have a nice one

Profile Information

Where are you from?
England, UK (also India and having lived in Georgia, USA)
What is your interest in The Future is On the Table?
I am a participant in the project, having been given a set of stools and returning in 2008 to Charleston for the close of the project. I am really interested in work that involves conversation and gift, so this project ties in (and has influenced) my work as a performance artist in many ways. I am hoping we can use this website to generate discussions and as a way of meeting each other prior to the final gathering in Charleston, during our time there, and following the in-person meetings too...
Website:
http://www.rajnishah.com

An early text

"The stools remind me of what I stand for. They remind me of what is important. And thus, they are a mixed presence in my life. They are a wonderful, powerful symbol, and they bring me together with other artists across the world. But they are also a reminder of how much there is to do, how we need effort and commitment to create this space in our world. I gave mine away, continuing the chain of giving, to artists and audiences at a London performance of mine. People loved them. I attached a long handwritten letter to them, hoping that people would write back (I asked them to). No-one wrote back. This was disappointing. But in a sense, it brought me back to one of the first things Jean-Marie wrote to me: Hello, The stools are only a symbolic offering, to you first, as an introduction to "The Future is on the Table".

So I must focus on the table, and let the stools have their own journey; in homes around the UK they are now a reminder to others, and they are sparking other conversations that I may never know about. The table has became more and more metaphorical, a symbol for the patterns of our lives, of our relationships, and I have been thinking about all the people sitting around that table-- who agrees to sit down, who talks and how, the patterns of the discussions, around the world. I remember being in Kentucky, the first time I saw the stools, sitting around a table outside with other artists from across the US, talking about the world situation. Now I live in England, and the table I am making is a way of sustaining that dialogue, inviting people to form a community online, to find strength in knowing that there are others around the table, from across the world. I hope that some of you might join me."

Rajni Shah's Photos

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Rajni Shah's Blog

Rajni Shah

A letter from Jean-Marie

Jean-Marie sent me this email the other day, which I hope will lead to some discussion here on (and about?) the site:

Rajni, how are you?

Let me start by saying that, although I am not capable of making art
and, at the same time, making sense of it, it is a constant endeavor,
always frustrating, always frustrated. Which leads me to a typical
contradiction of mine: as artists we must control our output, I keep
preaching!
Yet, remembering what I said many times during the Charleston
conversation… Continue

Posted on January 8, 2009 at 5:46am — 1 Comment

Rajni Shah

no money

I did a show the other week, in an outdoor place, it's the one called give what you can, take what you need. We sit around a big dining table, and give people a pound in an envelope and ask them to use it as inspiration to buy or find or make something and bring it to the table. One girl brought the pound back and said she was going to buy something then she just couldn't stop thinking about how much a pound would mean to so many other people in the world and therefore how misguided the p… Continue

Posted on December 6, 2008 at 5:38pm — 3 Comments

Rajni Shah

Rajni: October

I am aware that now all of us artists from other countries have departed and no doubt the weather is changing there, I suspect it is very beautiful at this time of year. Oddly, due to the craziness and unpredicability of global warming, we are having a few days of Summer in London: beautiful clear hot days, swimming outside and taking walks and picnics. Strange and terrifying, with the world banks crashing and the seasons disappearing, how all these markers become mirages. The Future in on the T… Continue

Posted on October 13, 2008 at 4:46am — 1 Comment

Rajni Shah

Back in the grey cold of London

Hi all

Just a quick one, back here, struggling with the fading light, the coldness and anonymity of London, which I love as well as hate; the hard landing of an international flight, where you leave so suddenly and land so suddenly with an unreal travel in-between. I wanted to write something on here as a way of beginning to process this incredible journey we have begun to make together, and as some form of expression of the impact it has had on me.

Continue

Posted on September 18, 2008 at 9:00am — 1 Comment

Rajni Shah

How can critical writing be a dialogue? A continuation of the discussion...

Last night, September 1st, a group of us met at Jean-Marie and Gwylene's place to respond to an exercise that had taken place in the past few months. Gwylene had asked two writers, Frank Martin and Darryl Lorenzo Wellington, to write texts responding to the The Future is on the Table and had then asked selected readers to respond with… Continue

Posted on September 2, 2008 at 11:01am — 2 Comments

 
 

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