I did a show the other week, in an outdoor place, it's the one called
give what you can, take what you need. We sit around a big dining table, and give people a pound in an envelope and ask them to use it as inspiration to buy or find or make something and bring it to the table. One girl brought the pound back and said she was going to buy something then she just couldn't stop thinking about how much a pound would mean to so many other people in the world and therefore how misguided the project was, wasting money, encouraging consumerism instead of facilitating change. It was interesting to me. In a way, I'd much rather do the piece without pounds, encouraging people to bring something to the table and meet other people. But that way we'd exclude those who felt they had nothing to offer and reach far fewer people. It's been puzzling me, how you do away with all the objects and find a way to the sentiment of change or opening that you wish to explore. I suppose that made me think about the show in Charleston and the gifts that were left over. Because all we were trying to do was create a flow of energy through the gallery, people giving and taking and walking and talking. But somehow all the gallery was trying to do, through the history of galleries and the air in that place, was keep everything precious and removed, to retain the objects. My ideal show would have nothing left at the end. A gallery empty of objects but full of people, and no money having changed hands at all.

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